OK Long Time Bless Up To All Check Out Mr Khool New Song For All My DanceHall Fans This One Shot.......
Wednesday, August 28, 2013
Monday, June 10, 2013
Bryan
Musical Visionary, Bryan Art, Makes another Imprint
Feb 2013
When we hear the term “love song” we naturally think of a song expressing romance or like sentiments, leaving out songs of freedom, peace, motivation, hope, unity etc. that seek to caringly point people in positive directions. A classic example is the great reggae anthem, “One Love” by the Hon. Robert Nesta Marley. In fact, the music of Joseph Hill, Dennis Brown, and Jimmy Cliff, on which many Jamaicans grew up, preached so much love that it appreciably became one of the defining factors of the reggae genre.
Music needs no help – take the words out and it is still complete. However, with the help of music, singers have managed to convey lessons, messages and joy to people of all ages across many cultures. The music that Bryan Art happily shares with the world on this self-titled album expresses love in all these forms. It reflects devotion to spiritual, moral, social, and emotional uplift of individuals from anywhere.
The multifaceted artist, husky voiced singer, witty songwriter and consummate musician deliver with passion and meaning. Born in St. Ann, Jamaica, just walking distance from Nine miles, the birth place of the great Bob Marley whose influence can also be heard on this album, Bryan Art just like the late singer, eventually moved to Kingston where he did Latin American & Jazz Studies at the Edna Manley College of the Visual and Performing Arts.
Today, devoted to his singing career, The “Best New Artist” for the year 2002 by ER,TVJ, has done splendidly on many major shows including, Rebel Salute 2006, 2007 and 2011, Jamaica Jazz and Blues Festival 2011 and 2012, Reggae Fever 2009 and 2011, ATI, Fully Loaded, St. Mary Mi Come From, Unity Splash, Summer Sizzle, and Manchester Fiesta. Art has also been on tours in the United States, Canada, Europe and The Caribbean.
Representing a new generation of music that keeps in the tradition of stars who shone before him, those who inspired him, including the great Dennis Brown, Bob Marley, Beres Hammond, Toots Hibbert, Al Green, Stevie Wonder, Otis Redding to name a few, Bryan Art continues even on this 13 track feature, to bring creativity and a fresh voice to the art form.
Out of an abundance of great work, this album was sorted and compiled based on votes from members of a loyal team who express great difficulty with the task of having to choose between “pure excellence and sure excellence.” However there were the inevitable singles like “Get It” which gradually became a household chorus in Jamaica and continues to spread perennially. “Murder Dem a Play” which features the commanding voice of Queen Ifrica was a must. Warrior King brought a fresh sound to as early as the 3rd track entitled “New Day” and for balance; we needed the insightful “Hawkeye” with “Second Class”. It can’t be an easy job fitting into the busy schedule of “the fireman” “Capleton” but according to the producer, same Bryan Art; “preparation meets opportunity equals Dem Fass”.
Bryan Art: “Good Reggae music is immortal and my purpose is to be an international oracle for the message of this music”
To Hear Some Great Music From Bryan Art Click Here
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Email: bryanart@live.com
Saturday, June 8, 2013
Buckey Ranks
Buckey Ranks’ career emerged from the Jamaican sound system and dancehall scene. A veteran system Singjay who performed in his early career with respected Jamaican sounds such as Mango, Small Axe, Killowatt and Youthman Promotion. Later his charasmatic talent led to a collaboration with Denzil Williams, a UK based producer and owner of the sound system Exodus. This led to tours in the UK, Europe, Canada and the US. During which period Buckey Ranks shared the same stage with Buju Banton, Capleton, Sanchez and many more
His natural progression to writing and independent music production has enabled him to work with and produce some of todays great contemporary reggae stars such as Luciano, Mickey General, Gregory Issacs, Bunny Lye Lye, Robert Lee, Tony Rebel and Mickey Dread.
Buckey Ranks has produced seven albums in total including one of the greatest Roots and Culture albums to come out of Jamaica.Titled Luciano and the Veterans in Action the album is ram packed with great names and includes tracks from the group The Congos, Prince Allah, Ernest Wilson, Lone Ranger, the late greats Rankin Trevor and Sluggy Ranks who are both no longer with us, Buckey Ranks himself and many more.
Buckey Ranks latest album titled "Nothing But The Truth" has seventeen conscious tracks that deal directly with the truth including Devious, Heng On Mamma and Rasta Fe Clean. All of the seven albums have been produced under Buckey Ranks Tender Touch label with more to come.
More From Buckey Ranks
Sunday, June 2, 2013
STARKEY BANTON
Born in Hammersmith, London, in 1962, Murray began performing in the mid-1970s under the name Starkey Super on the London sound system circuit. He changed his stage name to Starkey Banton ("Banton" meaning a deejay full of lyrics) in response to the popularity of several other performers using the Banton name. His debut single, "Lover Dread", was released in 1993, bucking the trend for slackness. This was followed by "Blackman Memories" and "Ganja Baby". In 1994 he worked with the One Love crew, who released his "Wicked Man" single, the popularity of which led to combination hits with Sweetie Irie and Horace Andy, and an appearance at the 1995 Reggae Sunsplash festival.His 1985 riposte to the Jungle music phenomenon, "Jungle Bungle" ("One bag a noise and a whole heap a sample, Was hugely popular among Britain's urban audience. He recorded for Fashion Records, releasing "Nah Wear Nuh Versace", coincidentally released on the day Gianni Versace was murdered, followed by a string of cultural singles with "I Love King Selassie", "I & I Saw Them Coming", and "Weeping & Wailing", collected together along with the dub sides and new material on his debut album, Powers Youth, in 1997.The album featured Mykal Rose, with whom Banton recorded combination tracks "Release Me" and "Another Day in Babywrong". His second album, Rasta Mystic, was produced by Mad Professor, with rhythms provided by Mafia & Fluxy and Black Steel, and released on Ariwa in 2000
CHECK OUT STARKEY BANTON LIVE ON Jugglerslife Lavatvhd RADIO STATION FROM NEW YORK CITY!! TALKING ABOUT HIS LATEST RELEASE & FORTHCOMING ALBUM THIS COMING TUESDAY 9PM (US TIME) 2AM(UK TIME) NOT TO BE MISSED!!!
Bless English
Links SoundClound
Live Interview June 4th 2013
Live On Lion Heart & Dj Dean Show (9pm to 12mid Nite Nyc Time)
Tuesday, May 28, 2013
Jahdan blakkamoore
Where Is Jahdan Blakkamore?
Jahdan Blakkamoore has long made a name for himself as a gifted and inspiring Reggae/Dancehall/Hip Hop/Dubstep artist – both nationally and internationally. His music has been described as ‘Urban World Music with a message.’ Jahadan’s sense of melody, superb song writing skills and ability to effortlessly cross over genres has solidified his status as Reggae royalty. His group Noble Society, received Best Reggae Album of the year on iTunes for ‘Take Charge’ in 2008 and he has not stopped to win over audiences since. His solo debut album ‘Buzzrock Warrior’, released September 15th, 2009, was also voted Best Reggae album of the year on iTunes. His solo debut as long been anticipated by his large fan base spanning from Brooklyn to Oslo, built over many years of delivering command performances and recordings throughout the US and Europe. ‘The General’, the first single released from ‘Buzzrock Warrior’ was chosen for Song of the Week on National Geographic World Music soon after its release. He is currently featured on the track “Cash Flow” from Diplo and Switch’s Major Lazer collaboration. Jahdan’s feature on the hook and verse of Smiff N Wesson’s classic, ‘Sound Bwoy Buriell’ is still played regularly in clubs around the world and in radio throwback sets on Hot 97 by Funk Master Flex, Mr. C, and others. He can also be heard on Matisyahu’s new album on the song ‘Struggla’. Jahdan has shared the stage with great artist such as Anthony B, Sizzla, Lee Scatch Perry, and many others. He has also toured and recorded world wide with Branford Marsalis.
Cash Flow
one of my Favorite Songs
Saturday, May 25, 2013
MALAKHI
With a name that resounds the meaning Messenger of God, MALAKHI Revolutionist & Reggae Recording Artist Extraordinaire, delivers his potent lyrics with the sting of the Forefathers such as Bob Marley, Peter tosh, Burning Spear, Jah-cure, Stephen Marley, Midnite, Beres Hamond and Sizzla Kolonji to name a few
With a name that resounds the meaning Messenger of God, MALAKHI Revolutionist & Reggae Recording Artist Extraordinaire, delivers his potent lyrics with the sting of the Forefathers such as Bob Marley, Peter tosh, Burning Spear, Jah-cure, Stephen Marley, Midnite, Beres Hamond and Sizzla Kolonji to name a few
The name chosen for him by a friend, resonates when Malakhi delivers his message to his following as if Martin Luther King or Malcolm X re-incarnated through him.
His message written from experiences drawn from his personal life and anything that strikes a chord with him, whether the inspiration comes from nature, life or just a word to sound the power, providing comfort, support for his fans while he identifies with the feeling of the 99% that faces the challenges that life offers.
“I do music for the people, cuz I’m for the people and if I can’t do that then my life is worth nothing, mi name Malakhi and I’m the messenger so certain hype music I won’t do. Although I am an entertainer, I take what I do seriously so I’ll leave the fun part to McDove my Producer”.
As with the most successful recording artists, Malakhi got his start doing music in the church where he played keyboard, he then made his transition to bass then on to a professional backing band that afforded him the global opportunities to own his skills on the stage and off with his distinct commanding tone & witty lyrical style while his soulful silky voice was improved by performing as a wedding singer enhancing his musical dynamics and range.
“It’s can be daunting sometimes because I get the run around from producers until
McDove though skeptical at first eventually decided to take the chance with me”.
The unique combination between them gelled with the advent of a few songs garnering respect from fans as far as Kazakhstan, Israel, Europe, France, Kenya, Brazil, Ecuador, Columbia and
the tri-states of North America and South America.
Singles such as NOT FORGOTTON speaks to those who’ve lost a love one. WORLD CRISIS feat XCI highlight and addresses some on the root of the issues that our planet is facing from the ruling political elites and how we can take a stand.
LOVE THAT I’M FEELING provides support for those in a stable or unstable relationship, it brings hope and restoration. MAN A WARRIOR – is for the real warriors by a real warrior. “revolutionary is Imminent”, and STICKY delivers a strong message to the Political body about the way they conduct the affairs of their nation.
Blazing the old Zion trail with new fervor, the album is set to be released in the later part of the year as song the deal is inked for 2015 Grammy promo tour.
Hailing from Westmoreland in the Island Paradise in the sun Jamaica, he is christened Densil Gayle, here The Real Reggae Revolutionist Malakhi.
CONTACT:
@mcdovemusic @IamMalakhi
www.facebook.com/page/IamMalakhi
www.youtube.com/user/MalakhiVEVO
info@mcdovemusic.com
1876-797-6303/1876-361-1269
Wednesday, May 22, 2013
stikki-tantafari
Brian Williams was born March 4th 1980 in Spur Tree district in the Parish of Manchester. He is the 4th child for his parents Sesciel Hayden and Ralph Williams.
He grew up with his brothers and sister and soon started to sing at church where his musical interest was inspired. After gaining his early childhood education at Fairfield All Age, he moved to Bellefield Comprehensive high School where he started to write songs. Very soon he was performing at his schools Bar-B-Q and at other events in his community using the stage name “Willy” a name taken from his last name Williams. After he left high school in 1997 he wrote more songs and was still performing.
In 1999 he attended the Newport Training Centre (Heart) for one year where he achieved a certificate in Welding and Fabrication. In early 2000 he did his first professional recording at Cell Block recording studio in Kingston. This was a dancehall song entitled “I can get her”. After changing to write conscious lyrics his stage name changed to “Stikki” a name given to him by his friends at Heart because of his stick looking body structure. Being encouraged by his community members, he wrote more and more positive songs and did more stage shows thus fuelling his interest in his new found love “positive” music. He started to do dub plates for sound systems, which helped him to spread his message in and around the parish of Manchester, which gave him more popularity. Clean lyrics is what he writes and performs now. Holding unto the strength of “JAH” and his Rastafarian faith. Still doing this he hopes to break into the main stream of music. These are the words Stikki lives by: - “At the end of the day, Pure and clean is the only way You will enter”.
stikki-tantafari Videos
Monday, May 20, 2013
Askala Selassie
The Fruit of the Holy Trinity. Born in London England and raised to the beat of the Caribbean. The rhythm of Jamaica forever rooted in her soul; finally lead her back to her roots. Helping to keep Bob Marley’s legacy alive, she performed with the remaining Wailers band; keeping roots and culture alive for the next generation. With music forever running through her veins, she writes and performs her own amazing music which combines traditional with non traditional. Askala is here to keep love alive, to keep music alive, and to keep JAH love alive. She has recorded, performed and shared the stage with some of England and Jamaica’s finest from, Curtis Lynch, Sugar Minott, Horace Andy, Etana, Andrew Tosh, Frankie Paul, Warrior King and Luciano. In 2005 she had the pleasure of touring Europe with the original Wailers Band in countries such as Italy, Spain, Hungry, Switzerland, and Sardinia. From this Askala excelled in all aspects of her music and gained experience 2nd to none. Askala then worked very closely with Karl Toppin one of the tour engineers for the Wailers, also known as K Big neck from; Big neck productions. They worked on her single ‘Faith’ which is one of the tracks on her EP Put JAH First out now!!. Askala Selassie recorded ‘Faith’ with Pinkney (from the Root Radix), and went on to record the video for Faith in Jamaica. The video was recorded and directed by Asha -Sling Shot Productions and One Locz Ras - Shac works. Askala also worked on a project called Reggae girls in Italy; this was with Steve Giant from Rastasnob. The compilation album was released in February 2008 featuring artists such as Zoë and Cecil. There was a 2nd Reggae girl compilation which was released in 2009 by Bizzarri records. Askala’s song is called ‘I love you’. This compilation featured artist like Lion D, Million Stylez, Mama Marjas, Brusco, I Octane and Ras Tewelde to name but a few.Askala is now working closely with one of the UKs best young producers Curtis Lynch, Necessary Mayhem; with their first tune released in March 2011 ‘Proud to be RASta’, on the Gorilla riddim. The compilation has had great reviews and has taken off; with artists such as Tarrus Riley, Makka B, Ziggi and Cali P
Tuesday, May 14, 2013
Mavado
A reggae singer influenced by the likes of Bounty Killer and Cutty Ranks, David Constantine Brooks, aka Mavado, was born and raised in one of Kingston, Jamaica's more dangerous ghettos, Cassava Piece. Church and a desire to deliver a socially conscious message to the people kept Mavado out of serious trouble. Encouraged by a friend, Mavado visited Junior Reid's recording studio in Kingston, where he met his hero, Bounty Killer. The reggae star recognized the young singer's talent and introduced him to the likes of vocalist Predator and manager Julian Jones-Griffith. In 2004 Mavado released "Real McKoy," his breakthrough single recorded over the Daseca crew's Anger Management riddim. Two years later, the Red Bull and Guinness riddim and the song "Weh Dem a Do" would give him his next big hit, and the successful "Dreaming" and "Bawl Dem a Bawl" singles would follow soon after, but the momentum was almost brought to halt when his father was murdered in Switzerland.
After fighting for his father's body and its return to Jamaica, Mavado resolved a feud with fellow dancehall artist Vybz Kartel. The feud was responsible for violence between the artists' crews along with numerous diss tracks, including "Warn Dem" and "Informer" from Mavado and "Alliance Diss" and "Mafraudo" from Kartel. With all this out of the way, Mavado was able to complete his debut album, Gangster for Life, for the VP label. The 2007 release featured more hits like "Top Shotta Nah Miss" and "Dying" plus "Real McKoy with a Full Clip," a new mix of the track that, a year later, would be featured in the popular video game Grand Theft Auto 4: Liberty City. His 2008 cut "I'm on the Rock" would feature Jay-Z on its remix before being re-recorded as "We Need Barack" in support of the presidential hopeful. That same year, he continued to cross over to the world of hip-hop with an appearance on 50 Cent and G-Unit's album T.O.S.: Terminate on Sight. ~ David Jeffries, Rovi
Mavado is one of Jamaicas biggest reggae-dancehall artists.With all of his accomplishments of being a father of two, being a artist and all of his arrivals he have been doing a good job. He have been doing a good job of what he has faced through his time being an artist. his biggest hit all around Jamaica was ONE BY ONE with Laza Morgan.One of the biggest hit from him is with Drake FIND YOUR LOVE.He is good at what he does and he good great name called MR.BROOKS.Do yo think that mavado should be signed to an american label?
Sunday, May 12, 2013
Anthony Cruz
Anthony Cruz with his soulful voice, captivating eyes, sexy physique, classy attire, shy-guy demeanour, fun-loving attitude and slick stage act, is regarded as one of the most charismatic entertainers around. There’s no mistaking the mesmerising effect he has on the ladies. After a decade of holding his own in the music business, this talented singer is cruising his way to becoming one of Jamaica’s greatest singers. Born ROWAN SMITH on December 17th, Anthony Cruz grew up in Mandeville, Manchester. Hailing from a talented musical family - being the nephew of the celebrated singer Garnett Silk, as well as having a mother and father who were excellent singers - Cruz was convinced from a young age that he was destined to be a great singer. After graduating from Holmwood Technical High School, Cruz migrated to the United States, spending a few years in New York before moving to Miami. In 1993, while residing in Miami, fate would lead him to meet producer Willie Lindo who was impressed with a demo tape he heard of the artiste. Lindo decided to take him under his wings, working with the young singer to hone his rich vocals. Under his management, Cruz’s career blossomed and the singer learned the ropes of the entertainment business. Convinced the world was ready for him, Lindo released Cruz’s debut single, ‘Tell Me What’s Up’ (an original). It wasn’t long before Cruz became a hit in Miami with the number one tune, ‘Just Call My Name’. The single made him a household name, and as it made its way to the airwaves and charts in New York, England and other places, Cruz’s popularity increased. He consequently released his debut album titled ‘Where There Is Love’ produced by Willie Lindo. The album featured the title track as well as the big hits ‘When You Get Lonely’ and ‘Love Will Never Die’. In 1999, Cruz decided to return to Jamaica to claim his piece of the pie in the land of his birth and the home of Reggae music. The first song he recorded was titled ‘Maria Maria’ (a cover of the Santana/Product G&B big hit) on the Chemist label. The lovers’ rock singer went on to record for other producers, releasing tunes like the popular ‘Them Boy Deh Nuh Really Know We’ for CJ Records and ‘You Remind Me’ for John John. Always sticking to his themes of love, culture and reality lyrics, Cruz delivered his big hit ‘You Got It Bad’ for Mixing Finger, ‘Closer I Get To You’, 'Place Too Bloody' featuring Buju Banton, 'People Ballin' on the truths & Rights riddim for Bobby Konders (Massive B Label), ‘Single Once Again’, ‘In The Club’ (a combination with Louie Culture), ‘Crazy Over You’, ‘Love Has Taken Over Me’, ‘Turn It Up’, ‘I Pray’, ‘A Man’s Weakness’, among others. Continuing on the path to take his career to the ultimate level, Anthony Cruz signed a management, booking and recording contract with Fifth Element Records in the summer of 2000. After five successful years he departed in September 2005 and started his independent recording label, Shanshan Music. His sophmore album “Mama Blessing” and title track was released in December 2005. His 3rd album "Fight With All Your Might" was released on Penthouse/VP Records in April 2008. Over the years Cruz showcased his unique style and soulful voice on prominent events such as Sting, Rebel Salute, Reggae Sunsplash, Rottom Reggae Splash, Summerjam, Capleton "St Mary Me Come From", Stone Love’s annual anniversary dance, not to mention several school fetes where the girls swarm him like bees to honey as he charms his way into their hearts. His latest singles are 'You'll Think of Me', 'Block The Road', 'So In Love', 'Foolish Heart' & 'Only The Father' on John Johns' remake of Bob Marley Coming in from the cold riddim. His new album "CRUISE CONTROL" will be released on Tads Records in 2010. Anthony Cruz is now focusing on expanding his Shan Shan imprint, touring, increasing his music catalog and fanbase! Considering that he is so engrossed in music that he sings morning, noon and night…even in his sleep…the world can expect great things from this talented singer and songwriter.
With Two New Videos a must take a look at
Saturday, May 11, 2013
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Thursday, May 9, 2013
Lloyd Barnett
Lloyd Nicholas Barnett, known as (Mr. Lace), born at 7 Burcham Lane in Maxfield Kingston, Jamaica, March 6, 1974, and grew up in Cockburn Pen and Waterford, Portmore St. Catherine where he attend the Waterford Primary School and the Waterford Comprehensive High School. Lloyd Barnett was destined to be a musician or a talented musical artist, knowing the facts that he was born into a musically incline family, where all his brothers and sisters either plays musical instruments or sings. Lloyd Barnett, he is ambitious and aiming high, hoping that soon his songs Strapand Mek Dem Moan, will top the local and international charts. The first international radio station to play his song was the Link up station in New York, U.S.A., on the 31st of May 2006. The crime and violence which Mr. Lace witness in the community of Cockburn Pen, especially knowing that his two elder brothers Norman and Austin life was claim by it, have influence him to produce the song called "Strap," this is the number one song on his CD. The number two song called "Mek Dem Moan" were product out of passion for the females. Mr. Lace is writing other hit music, that he has a lot of confidence will hot the music market for both the young and the old. I hope that my songs will provide a place on which Jamaicans can stand and be proud, and provide a vantage point from which all Jamaicans can look out on the prblems and challenges of the day and begin to makes changes which can bring positive and lasting results
Check his Myspace
Wednesday, May 8, 2013
CatEyes
Once in a while a singer comes along that has the full package, The Voice, The Looks and The Charisma to captivate an audience. Famous producers and reggae artistes like Beenie Man, Little Hero, Daville and Sizzla, have also felt the same about this artiste that they have started recording duets and productions that will soon show off her talent. She goes by the name of “CatEyes”. Born, Rochelle Marie Farquharson and hailing from Forth Riley, Kansas, CatEyes has landed some really good songs for her soon to be released album. CatEyes father is an important influence for her love of music, especially the open minded approach for many diverse genres and world musical styles.
CatEyes’s unique style of Reggae, fused with RnB and her thought process to write wonderful lyrics, puts her in a good position for longevity in an industry where “One Hit Wonders” come and goes so often. Her musical style mirrors the inner whims and fantasies of men both young and old. She started her singing career at the age of 14 and from this tender age, CatEyes made it her goal to reach everyone through her musical presence. This goal, as a young visionary inspires her to leave listeners feeling comforted and at the same time hypnotized with deep felt emotions.
Influenced with her love for Reggae, Dancehall and RnB, her music, lyrics, and sound brings a new dimension and crossover appeal that meshes into a unique and refreshing sound. When asked about her style “CatEyes” said "My music is intended to inspire everyone who comes in contact with it. If my songs impact my fellow brothers and sisters towards a new consciousness, enlistment and righteous practices, then I would consider my music relevant to times. Trust me; I am aware of the challenges, the high levels of expectations and the competitive nature of the music business in Jamaica and the world for that matter. I am being practical when I say that my music has global appeal, there is nothing parochial about it, except that it's authentically Jamaican with a crossover appeal”.
With media interviews and coverage on Hype TV, RE TV (Jamaica), English Pound TV (UK) and various channels in Canada, Boston and California, the doors are beginning to open and blessings are starting to flow for CatEyes. Look out for more stage performances from CatEyes to follow up from her performances at "Magnum Fallow The Arrow" and "Taboo Spring break in Negril, Jamaica.
Please feel free to contact us for more info, Radio Drops and Interviews from “CatEyes”.
Mad Storm Records - 1 Rear Derry Rd, Boston, MA 02136 USA or Special Mix Management - Brampton, Ontario, CANADA
USA–Tel:617-306-8345/ john@madstormrecords.com Canada–Tel:647-887-7787–specialmix@hotmail.com
Chronixx
Chronixx was the 'stage' name his friends bestowed on him, replacing the name 'Little Chronicle' he was given as the 'junior' to his father, the artist Chronicle. A little star amongst his peers, he had shown a love for music and song writing from an early age. He was born October 10, 1992 and was named Jamar Rolando McNaughton. His father, a musician, recognised his talents and nurtured him in an environment in which he could grow into whatever area of music he chose. Always accompanying him to the studio, Jamar grew up around the likes of Burro Banton, Norris Man and the legendary Gregory Isaacs.
With a big smile and an engaging personality, he confidently set out to make his mark in music, by writing his first song 'Rice Grain' by the age of five and going on to be choir director and worship leader at 11. Coached by Danny Browne, he recorded his first song with him in 2003. Always displaying his versatility, Jamar, as a young man at St. Catherine High School, harmonised for gospel artistes such as
Jermaine Edwards and reggae artiste Lutan Fyah.
At 14 years, he started producing and 'building riddims' for artistes such as Konshens and Munga Honorable and composing riddims such as the 'Freezer Riddim' for Icebox Records and voicing artistes
such as, Popcaan for Maverick Records. While focusing on academics, with a special love for Visual Arts, Chronixx knew that his inner voice was coaxing him to let his own voice be heard.
After his brother's death in 2009, Chronixx became more inspired to 'push out' and as fate would have it, in that same year, met some 'brothers' who have undoubtedly impacted on the promising
artist he is today. The synergy he found with Romaine 'Teflon' Arnett of ZincFence Recordz gave birth to the creation of a singer, stepping out militantly with a unique voice and armed with lyrics and an accompanying musical sound, set to capture his place on the reggae music stage.
In 2010, as if on a mission, Alty 'J.O.E' Nunes impacted on the lives of not only his brothers, Aijah & Jahnoi, but on Chronixx as well. They started working as a team and after Joe's passing in February 2011, Chronixx, in honour of the Jah Ova Evil legacy, took his career to another level. Instead of going on to Edna Manley College as planned, he, along with other members of the Jah Ova Evil family, released singles such as Behind Curtain, African Heritage, Wall Street and Warrior.
Today, Chronixx credits his versatility and his professional stage presence to the early lessons he received from his father Chronicle, who always shared his own experiences and encouraged his
son to go one step beyond with each performance. Chronixx is not disappointing his father, his family or his friends who know that the 'sky is the limit' for this young man who sees 'music as his mission.'
YES I!!!!!
Chronixx Videos
Monday, May 6, 2013
Jah9 Cunningham
Janine “Jah9″ Cunningham
Old school blues improvisation meets hard hitting lyrical prowess in a rich imaginative blend of vocal clarity and complexity. Singer/songwriter/activist Janine ‘Jah9′ Cunningham brings her refreshing mix of contemporary and conscious poetry to the stage and delivers a mature, sophisticated style with a unique and captivating energy all of her own.
She has been credited
as the creator of the Jazz on Dub genre. Her vocals blend the Jazz melodies of Billie Holiday and Nina Simone with the Dancehall attack of Sizzla Kalongi above the heavy Dub rhythm akin to Augustus Pablo.
Every song contains a message inspired by natural and universal laws. Her voice calls attention to the abusers of power and also highlights the need for spiritual growth in everyone, including herself. “I am my designer from concept to execution,” she reminds us in the single ‘Designer’ about the innate ability to control our own destiny.
Her signature sound has led to collaborations with platinum producer Donovan Bennett of Corleon Records, dancehall pioneer Rory Gilligan of Stone Love International, and living legend Beres Hammond and Sheldon Bernard of Harmony House Music. Her anticipated debut album is slated for release in 2011 but Jah9 is already in demand as a songwriter and creative director of repute. The album’s single ‘Warning’ has already received heavy spins on local radio as was voted as SONG of the YEAR by German based RIDDIM magazine.
Jah9 developed her sound in the underground poetry/live music scene, but now intends to take her word sounds to the world. As a social/arts activist Jah9 works in the inner city communities, schools and government places of safety in Jamaica and is a director of Manifesto|Jamaica, a non-profit youth organization dedicated to youth empowerment and nation building through Arts and Culture. She is connected across all spheres of cultural organisation, governmental departments and social organisations, and it is believed she will be the rising star of Jamaican cultural activism and development over the coming years. Videos
Jah9 website
Jah9 website
Saturday, May 4, 2013
Randy Valentine
The Jamaican born vocalist is a talented versatile singer song-writer/ producer who is currently under the umbrella of Riga (Hemp Higher Productions / Cali P producer) and J.O.A.T (Jack of all tradez) . Nick Named RV by his friends, his laid-back approach to life can be hypnotising once your drawn into his world. It goes without saying his core fan base are young ladies who seem to be in awe of his songs and performances wherever he goesRV recently started his international career by supporting one of Jamaica’s biggest artiste BUSY SIGNAL on his tour in Gambia and opened up for DEMARCO during his 7 show tour in Switzerland. Back in the UK (where he is currently based), he supported LLOYD from Young Money Cash Money collective in the O2 arena in London as well as MR VEGAS in Cardiff.In 2011 he featured on a number of songs with Africa’s hottest artists RUFF N SMOOTH and toured with the duo up and down the UK.This year sees Randy embark on a new adventure with a new smash single set to be released this summer which features the one and only Beenie Man and french-carribean superstar Admiral T (track produced by HempHigher/J.O.A.T for the iconic DJ Mike One from Paris). With other international collaborations with Eriah and Greis yielding videos aired on MTV across Europe, this relatively unknownMellow magician is quickly becoming a household name on the european dancehall reggae scene. He has also been collaborating with other labels and producers in the industry such as Wundah (UK) or Special Delivery Music (France).
Randy Valentine is most definitely an artist to look out for!
Randy Valentine Videos
J.O.A.T/HempHigher Production
Francheno Reggae Artist
Born Frantz Morris in St. James, Montego Bay, Francheno knew that he wanted to sing as a child. It all begin when he started to sing in Church and the choir released a gospel single. The experience was so invigorating that Francheno began to work with several other labels trying to quench his thirst and zeal for music.
Through Divine Productions, “All Night Long,” was released but after they tried to sign Francheno for life he decided to move on to something different. He began to write songs and record forThird Eye Records. The musical journey was hard as Francheno worked with a number of different people. With Must Rich Records, he voiced the Black History Riddim with a song called “Man Love So True.” From there a relationship was built with One Harmony Records in England which released his single “Open Your Eyes.”
Growing up in Spanish Town, it was difficult trying to “buss” in the music industry. Having to commute back and forth between Spanish Town & Kingston was discouraging for a young artist with barely any resources. Although Francheno was working with Lazer Base Production, he decided to return to his home base in Montego Bay.
For three years, Francheno stopped recording. Living a life as normal as he could without working on his musical dream, a blessing came in the form of a phone call. It was his long time friend from Kingston, calling him to return and work with producer extrodinaire Chiney K Productions. They took one of his original tunes, “Life Set Away,” rebuilt it with some live riddims and put it out on the market. The feedback was overwhelming and things began to bubble. Since its release in October, the song is number 2 on Hype TV VTX Countdown and also hit the charts on CVM Hitlists.
Wednesday, May 1, 2013
The reggae organ-shuffle is unique to reggae. Typically, a Hammond organ-style sound is used to play chords with a choppy feel. This is known as the bubble. This may be the most difficult reggae keyboard rhythm. The organ bubble can be broken down into 2 basic patterns. In the first, the 8th beats are played with a space-left-right-left-space-left-right-left pattern, where the spaces represent downbeats not played—that and the left-right-left falls on the ee-and-a, or and-2-and if counted at double time. In the second basic pattern, the left hand plays a double chop as described in the guitar section while the right hand plays longer notes on beat 2 (or beat 3 if counted at double time) or a syncopated pattern between the double chops. Both these patterns can be expanded on and improvised embellishments are sometimes used.
The bass guitar often plays the dominant role in reggae, and the drum and bass is often the most important part of what is called, in Jamaican music, a riddim (rhythm), a (usually simple) piece of music that's used repeatedly by different artists to write and record songs with. Literally hundreds of reggae singers have released different songs recorded over the same rhythm. The central role of the bass can be particularly heard in dub music — which gives an even bigger role to the drum and bass line, reducing the vocals and other instruments to peripheral roles.
The bass sound in reggae is thick and heavy, and equalized so the upper frequencies are removed and the lower frequencies emphasized. The bass line is often a repeated two or four bar riff when simple chord progressions are used. The simplest example of this might be Robbie Shakespeare's bass line for the Black Uhuru hit "Shine Eye Gal". In the case of more complex harmonic structures, such as John Holt's version of "Stranger In Love", these simpler patterns are altered to follow the chord progression either by directly moving the pattern around or by changing some of the interior notes in the phrase to better support the chords.
In Steppers, the bass drum plays four solid beats to the bar, giving the beat an insistent drive. An example is "Exodus" by Bob Marley and the Wailers. Another common name for the Steppers beat is the "four on the floor". Burning Spear's 1975 song "Red, Gold, and Green" (with Leroy Wallace on drums) is one of the earliest examples. The Steppers beat was adopted (at a much higher tempo) by some 2 Tone ska revival bands of the late 1970s and early 1980s.
An unusual characteristic of reggae drumming is that the drum fills often do not end with a climactic cymbal. A wide range of other percussion instrumentation are used in reggae. Bongos are often used to play free, improvised patterns, with heavy use of African-style cross-rhythms. Cowbells, claves and shakers tend to have more defined roles and a set pattern.
A standard drum kit is generally used in reggae, but the snare drum is often tuned very high to give it a timbales-type sound. Some reggae drummers use an additional timbale or high-tuned snare to get this sound. Cross-stick technique on the snare drum is commonly used, and tom-tom drums are often incorporated into the drumbeat itself.
Robbie Shakespeare
Ska arose in the studios of Jamaica in the late 1950s; it developed from the earlier mento genre. Ska is most easily characterized as a quarter note walking bass line, accentuated guitar or piano rhythms on the offbeat, and a drum pattern that places the emphasis on the 3rd beat of the bar. It is very memorable for its jazz-influenced horn riffs. Jamaica gained its independence in 1962 and ska became the music of choice for Jamaican youth seeking music that was their own. It is also worth noting that ska gained some popularity among mods in Britain.
There have been many interesting theories as to why Jamaican musicians slowed the ska sound to make rocksteady, including the singer Hopeton Lewis simply being unable to sing his hit record "Take It Easy" at a ska tempo. By 1968, many musicians had begun playing the tempo of ska slower, while utilizing more syncopated bass patterns and smaller bands. This new, slower sound was called rocksteady, a name solidified after the release of a single by Alton Ellis. The rocksteady style is most often indistinguishable from reggae, although reggae tends to focus lyrically more on lyrics based on black consciousness, Rastafari and the effects of poverty. Some reggae also introduced a much slower tempo than rocksteady. The "double skank" guitar strokes on the offbeat were also part of the new reggae style.
There's a word we used to use in Jamaica called 'streggae'. If a girl is walking and the guys look at her and say 'Man, she's streggae' it means she don't dress well, she look raggedy. The girls would say that about the men too. This one morning me and my two friends were playing and I said, 'OK man, let's do the reggay.' It was just something that came out of my mouth. So we just start singing 'Do the reggay, do the reggay' and created a beat. People tell me later that we had given the sound its name. Before that people had called it blue-beat and all kind of other things. Now it's in the Guinness World of Records.Bob Marley is said to have claimed that the word reggae came from a Spanish term for "the king's music". The liner notes of To the King, a compilation of Christian gospel reggae, suggest that the word reggae was derived from the Latin regi meaning "to the king".
We didn't like the name rock steady, so I tried a different version of 'Fat Man'. It changed the beat again, it used the organ to creep. Bunny Lee, the producer, liked that. He created the sound with the organ and the rhythm guitar. It sounded like 'reggae, reggae' and that name just took off. Bunny Lee started using the word [sic] and soon all the musicians were saying 'reggae, reggae, reggae'.
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